西慕案例 | ZUC ZUG 素然的繁多色彩，用不同肌理的“白”来诠释

公司新闻2023-11-25 08:44:01

 

 

“White on White”是俄罗斯著名艺术家卡齐米尔·马列维奇于1918年完成的一幅抽象布面油画，他认为，白色是无限的颜色，象征着更高的情感境界。在这幅画中，他关注的是颜料呈现出来的质感、色调以及不同白色之间的细微差别。在长时间持续使用白色进行创作后，他如得偿所愿般兴奋地表示：

“我已经克服了彩色天空的铺垫......

在白色的自由深渊中畅游，无限就在你的面前。”

 

FLIP设计工作室受到马列维奇对白色理解的启发，并与 Cement Design 一起，把这种对色彩的思维方式运用到了成都太古里“素然 ZUC ZUG Flat”买手店的设计当中。
 

 

“White on White” is an abstract oil painting completed by the renowned Russian artist Kazimir Severinovich Malevich in 1918. He believed that white is the colour of infinity and signified a realm of higher feeling. In this painting, he focused on the texture, tones, and nuances between different shades of white. After prolonged use of white in his creations, he expressed his excitement, saying:

“I have overcome the lining of the coloured sky...

Swim in the white free abyss, infinity is before you.”

Inspired by Malevich's understanding of white, FLIP Design Studio collaborated with Cement Design to incorporate this colour philosophy into the design of the "素然 ZUC ZUG Flat" concept store in Taikoo Li Chengdu
 

 

 

从平面绘画到三维空间，对白色的想象和应用场景也变得更加立体。

买手店的地面从最光滑的艺术水泥质感展开，得益于 Cement Design 材料可以进行无限连续涂抹的特性，均匀细腻的“白”在空间里一马平川地铺开，没有无谓的接缝影响设计师对于空间分割的呈现。

在日常的使用中，材料拥有的高耐磨性和疏油疏水性，让清洁变得尤其简单，即便面对商业空间每天巨大的人流量，白色也将始终如初。

From flat paintings to three-dimensional space, the imagination and application scenarios of white become more dimensional. 

The floor of the concept store unfolds from the smoothest coating texture, thanks to the continuous and infinite application capability of Cement Design materials. The uniformly delicate white can seamlessly spread across the space without unnecessary seams affecting the designer's presentation of spatial division. 

In daily use, the material's high resistance and oil and water repellency make cleaning especially simple. Even in the face of the massive daily foot traffic in commercial spaces, white remains as pristine as ever.
 

 

 

从地面爬上墙面，白色开始发生变化。在改造的过程中，墙面基底的新旧对比让设计师不舍，决定将“旧”以一种微妙的方式保留下来，作为空间生命力的痕迹。

Climbing from the floor to the walls, white undergoes a transformation. During the renovation process, the contrast between the new and old on the wall base tugged at the designer's emotions. Eventually, they decided to delicately preserve the “old” as a subtle trace of vitality in the space.
 

 

将暖白色乳胶漆与艺术水泥有机无序的批刀纹理叠加，形成纤薄的一层覆盖面，墙面基底的蓝从白下隐隐泛出，就像皮肤之下的静脉血管，一呼一吸之间，时光如血液一样在不经意间流动，或许这即是马列维奇说的“在白色的自由深渊中畅游”的感觉。
 

 

Overlaying warm white paint with the artistically applied, unordered trowel texture of Cement Design coating, creating a thin layer that covers the wall base. The blue beneath the white subtly emerges, akin to veins beneath the skin. With each breath, time flows like blood, seemingly effortless. Perhaps, this is the feeling Malevich spoke of, “swim in the white free abyss”.
 

 

与此形成对比的，是旁边更为厚实、肌理更加粗糙的另一种“白”，同样由艺术水泥批刮而成。这一部分更强调“新”的感觉，原本的基底被严严实实地覆盖，呈现出尤为纯粹的色调，与买手店内定制家具的彩色亚克力部分形成更鲜明的反差，也为更好地衬托出现在空间里繁多色彩的品牌服装。
 

 

 

In contrast, adjacent to this, is another kind of “white”, thicker, with a rougher texture, which also achieved through the trowel application of the coating. This part emphasizes a more “new” sensation, as the original base is solidly covered, presenting a purer tone. This starkly contrasts with the coloured acrylic sections of the custom furniture in the concept store, creating a vibrant backdrop for the diverse range of hues that will showcase upcoming clothing.
 

 

 

不同层次的肌理交叠，从地面、墙面延伸到天花。质感的微妙差异丰富了整体感知，色调的一致又让整个空间井然有序。FLIP设计工作室所完成的“素然ZUC ZUG Flat”空间设计，让无止境的白色展现出独特的自由和秩序，为空间赋予了更多样的情感表达。

Different layers of textures interweave from the floor, extend to the walls, and reach up to the ceiling. The subtle differences in texture enrich the overall perception, while the consistent tone maintains order throughout the space. The design of the 'ZUC ZUG Flat' by FLIP Design Studio unleashes a boundless exploration of white, showcasing a unique blend of freedom and order that imbues the space with a diverse range of emotional expressions.
 

photographs: FLIP设计工作室，刘星昊-言隅